Pulsar Modular P915 Medusa v1.0.1 Incl Keygen-R2R

P11 Abyss is a chameleon audio compressor that can go ultra clean competing against the cleanest of mastering compressors or super dirty to compete against the best of the color compressors.

Modern producers, engineers and artists should not be constrained by the need to understand different characteristics offered by the multitude of physical compressor topologies. They should not need to project and translate that information into selecting the right tool for the right purpose. One would choose VCA when seeking deep, aggressive punch; Opto for clean, open, smooth action; Vari Mu for flowing, rhythmic pulsing.

Abyss casts physically imposed rules and constraints completely aside, allowing it to masterfully exhibit any characteristic that is desired. Aggressive, punchy, smooth, open, breathy, dense, clean, dirty… it’s all here at your fingertips. Abyss fulfills the dream of having a direct connection with the audio without being mired in technicalities.

Dive in and experience the infinite colors, hues and characters Abyss beautifully draws out of your audio. It is very much designed to be equally at home on individual tracks and instruments, group buses, returns and main buses. It is designed to fulfill all mixing, stem and stereo mastering needs.

Features
• Features fourteen vintage style fixed frequency, inductor based filters.
• There is a LP and a HP shelf filter
• Twelve Band Pass filters are set at half octave interval spacings, which range from 125 Hz through to 5.8kHz.
• Option to split into two six band filters (175Hz, 350Hz, 700Hz, 1.4kHz, 2.8Khz and 5.6 kHz plus Low Pass) for the Left Channel, and the alternate six bands (125 Hz, 250 Hz, 500 Hz, 1kHz, 2 kHz, 4kHz plus High Pass) for the Right channel. This is a very musical split, as it can perform as two separate Fixed Filter Banks with Octave spacing between filters, and the Right channel is offset against the Left channel by a half octave.
• Wet-Dry cross fader mixes between the treated signal and the dry or external signal , again with manual and Voltage Controlled panning between banks.
• Zero latency
• macOS: AU and VST3 formats.

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